As mentioned in my last post, early October found me in Nairobi for a second time in three years, teaching monastic art as part of
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As mentioned in my last post, early October found me in Nairobi for a second time in three years, teaching monastic art as part of
Read moreNow in its second decade on the stages of Nashville’s storied Ryman Auditorium and Lipscomb University, the Tokens Show presents lively entertainment as an ongoing “cultural experiment” pulling together Americana, folk, and contemporary music wherein music-making, song-singing, and conversations help imagine a world of beauty and wonder, justice and mercy, peace and graciousness.
Read moreThe spirit of the Church is alive and well in these growing African communities.
Read moreTthe whole conference was a very worthwhile meeting of cultures, minds and hearts.
Read moreIt was a lab for what we do and what we believe about death and liturgy, and an incredibly confusing one at that.
Read moreThe community exuded a practical, liturgical and communal, ecclesiology of their corporate baptismal identity as “a royal priesthood” (1 Peter 2:9) through not only their robust engagement in the Divine Liturgy but also their affective, and thus effective, hospitality to us.
Read moreWe should always seek more adequate language about God, but let’s not fool ourselves into thinking that by doing so we can free ourselves from having to wrestle with the words in all their gendered, historical, concrete specificity.
Read moreOn the feast of Pentecost in 1978, he wrote a letter to all members of the Society of Jesus about inculturation which contains a definition of inculturation that almost every contemporary work on liturgical inculturation employ or at least makes mention of.
Read moreI kept thinking I would hear Cree music; what I heard were Protestant hymns sung in Swampy Cree, N-dialect.
Read moreThe Philadelphia Liturgical Institute is seeks to understand how local congregations experience the relationship between liturgy and culture .
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