Br. Daniel Saulnier, OSB, monk of Solesmes, producer of the new Antiphonale Monasticum for the Latin monastic Office, no longer teaches at the Pontifical Institute of Sacred Music in Rome, effective immediately. He has returned to Solesmes. His remaining lectures this term will be covered by Nino Albarosa.
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ConBrioVerlag and Libreria Editrice Vaticana are co-publishing a new gradual for Sundays and feasts, entirely with corrected melodies and revised notation. This is an unofficial book in the spirit of Sacrosanctum concilium no. 117, the Vatican II liturgy constitution, which called for an editio magis critica (“more criticial edition”) of all the chant books. A copy of this gradual will be presented to His Holiness, Pope Benedict XVI, on January 25, 2011, and will be available for purchase on January 31.
Check out the announcement at the ConBrio website – the sample (below) is Deus in loco sancta suo, page 310 in our Graduale Romanum. But it starts on D in stead of C, and there are C sharps in it! Not your grandfather’s chant.
Here is my quick translation of the ConBrio ad:
“Proposals for the Restitution of the Melodies of the Graduale Romanum”: Under this title in the journal Beiträge zur Gregorianik (“contributions on Gregorian chant”), the melodies of Sundays and feast days have been published since 1996 in the form of a “more critical edition” (SC 117) on the basis of the oldest (adiastematic [lineless]) manuscripts. On the occasion of the 50th volume of Beiträge zur Gregorianik, a practical complete edition of these proposals for restitution will appear.
The new Graduale de Dominicis et Festis is conceived so that the revisions have already been worked into the four-line square-note notation. The neumes of Metz and St. Gall are added above and below this notation.
The gradual contains the Mass chants for Sundays and feast days according to the ordering of the Graduale Romanum, i.e., the Ordo Cantus Missae. It is at the service of both contemporary liturgical practice and scholarly work.
An indispensable edition that makes the current state of scholarship accessible to chant scholas and their leaders, singers, theologians, teachers, researchers, and all those interested in Gregorian chant, and also responds to the call of the liturgy constitution of the Second Vatican Council.