Montserrat: The Boy Choir

Brother Sergi d’Assís Gelpí is a monk of Montserrat Abbey in Catalonia  and headmaster of the famous Escolania, the boy choir school of Montserrat. He was recently at Saint John’s Abbey in conjunction with our Benedictine Volunteers Corps which places graduates of St. John’s University at places such as Montserrat for a year of prayer and service. Pray Tell visited with Br. Sergi d’Assís. Anthony Ruff, OSB, conducted the interview.

 

Tell me about yourself.

I’m Brother Sergi d’Assís, monk of Montserrat since 1998. I was a chorister in the Escolania of Montserrat choir school when I was a child. And so my links with the school are really strong. And I’d like the current choristers to have special experiences as I had when a child.

 

How large is the monastic community, and how is it changing?

Our community is really old: almost 1,000 years!! It was founded in 1025. We are now 65 monks of widely varying ages. We have some vocations, but people joining the community nowadays are older than 50 years ago.

 

 

 

I believe the Abbey of Montserrat was involved in the Liturgical Movement in the first half of the 20th century and worked for active participation, vernacular in the liturgy, and liturgical reform.

Yes! We were very involved in the liturgical reform. Montserrat Abbey held meetings to talk about liturgy, and to learn liturgy from different perspectives. It still organizes courses for people who want to do music in the churches.

 

How much of your monastic liturgy is Latin, how much vernacular?

The liturgy of the monastic community is mainly in Catalan, as a result of the Second Vatican Council. I think that perhaps in some years we’ll sing a bit more Latin, but it’s just my impression. It’s mainly in vernacular.

 

What are your impressions of the monastic liturgy at St. John’s Abbey?

It’s nice and interesting to see similarities and differences between our liturgies. What strikes me in your liturgy is the beauty of the singing, but at the same time the simplicity of this singing. Sometimes at Montserrat we sing very difficult music. And I think it shows me that simple music can communicate beauty also!

 

I’ve heard that Catalan society is quite secularized – one of your monks told me at the Abbots’ Congress in Rome that it is “the Netherlands of Spain.” How does your community react to this challenging situation?

It’s true that Catalan society is quite secularized. But it’s also true that there are many pilgrimages made by Catalan people! Sometimes people do not participate at the parish level, but they come to the Montserrat sanctuary! We try to communicate the Gospel welcoming all the people from society who come to us… and there are many! Sometimes they don’t know exactly what they are seeking, but they are really searching for something deeper in their lives. And by means of culture (museum, library, publishing house, Escolania) we can build bridges to people who are far from the church.

 

Tell me about the Escolania.

We have 53 boys in the choir school (12 are probationers, and 41 singing in the choir). They are from 9 to 14 years old, and they come from all Catalonia. They can be boarders or not, but most of them are with us from Sunday to Friday afternoon. On Friday afternoon they go home until Sunday morning for Mass.

 

Tell me about the liturgical singing of the boy choir.

For 700 years (at least!) the boy choir has served the Sanctuary of Our Lady of Montserrat. This is its main mission. They sing at noon, and also for Vespers. So they sing in church twice every day. But since the 1960s, the choir has also been touring to different countries when invited. In recent years we have gone three times to Russia, and also to Poland, Belgium, Germany, France, Italy… and now to United States!

 

How much of your repertoire is in Latin, how much in vernacular Catalan or other languages?

We sing many liturgical pieces in Latin (the “Salve Regina” every day, for example). But we sing pieces in Catalan also, and in other languages. But we always use the universal language, music! It crosses boundaries of all kinds, and it speaks directly to the hearts of the people who listen to it.

 

Does the boy choir sing Gregorian chant? And the monastic community?

The community and the choir sing the hymn of each office in Gregorian chant, in Latin.

 

What is the range of musical styles of the choir repertoire?

The musical style ranges from medieval ages until 21st century, with new pieces composed for our choir. It’s an interesting variety, and we think very formative for the boys.

 

Is your repertoire entirely European and Western, or do you ever use sacred music of non-Western cultures?

Our specialty is music composed by monks of Montserrat from different centuries. We call it the Montserrat school. And when we sing abroad, we’re often asked to sing this music, as it is our specialty.

 

How is the Escolonia financed? What is the work of the Foundation for which you’re fundraising in the U.S.?

As you may know, the situation in our country is not easy. We have always offered this education to any musical talented boy who wanted to join us. And we do this because we think it’s a nice thing to give opportunities to any boy who has musical abilities. But nowadays this is a big challenge for us! So we’re looking for sponsors who believe in this mission of the choir, and who want to support us!

 

Where will you sing in the U.S.?

We’ll sing on March 13th at St. Thomas Church in New York. And on March 16th at Strathmore Auditorium in Maryland. On our website there is further information about these concerts. It’d be great to have many American people coming to our concerts! It’s the first time we are singing in continental America, and we are really excited!

 

Can we hear samples of the choir online?

Yes, we have an Official YouTube Channel with videos of the choir.

It’s visited much, and we are really happy that people from all over the world watch the videos and are moved with them. We have received some invitations to tour from people who watched these videos. We’d like to receive financial support from people who want keep our work alive! On our website we explain how to do that.

Thank you very much for your interest! We hope to meet many people when we visit the United States next March!

 

Anthony Ruff, OSB

Fr. Anthony Ruff, OSB, is a monk of St. John’s Abbey. He teaches liturgy, liturgical music, and Gregorian chant at St. John’s University School of Theology-Seminary. He is the founder of the National Catholic Youth choir. He is widely published and frequently presents across the country on liturgy and music. He is the author of Sacred Music and Liturgical Reform: Treasures and Transformations, and of Responsorial Psalms for Weekday Mass: Advent, Christmas, Lent, Easter. He does priestly ministry at the local county jail and the neighboring community of Benedictine sisters in St. Joseph.


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14 responses to “Montserrat: The Boy Choir”

  1. I live in Catalonia, and the importance of the Abbey of Montserrat in this culture is almost unimaginable. Brother is right in saying that great numbers of people who think they are uninterested in the church or Catholicism are nevertheless respectful of (and often feel quite connected to) the Montserrat community. I have heard quite amazing examples of this in my own personal contacts. This is partly because the monks welcome and nourish searchers, have traditionally been crucially supportive of the Catalans’ cultural aspirations, but also because of the moral authority that people associate with the monks of Montserrat who have so often stood up for the people in the difficult situations that this country has long faced. (Recent examples are the community’s strong ethical statements against an American-proposed “EuroVegas” in Catalonia and explicit support for the people’s right to vote on their own national future, based on Catholic social teaching.) And the choir (also now the important new organ) are great sources of pride, with a presence in the media that was initially surprising to me as an American.

  2. Jack Rakosky

    This is an outstanding post. The text is a fine introduction to the monastery and the choir school.

    But the real treat are all the links Take time to explore them.

    The virtual reality tour of the monastery, etc. is really great.

    Likewise the YouTube site of the choir is also excellent. Very interesting clips of their participation in the Sagrada Familia consecration.

    I started the YouTube section with Arvo Part whose music I always find interesting. The garden setting is well integrated with the music. However not only are the soloist’s head and body movements integrated with music but also his eye, eye brow and eyelash movements. Very well done.

    I liked the sleeveless surplice like choir garments which you can see well in the Arvo Part selection. I hesitate to use words like robes or gowns because they seem more simple. I am reminded of the scapulars of the Benedictine habit which also do not give the appearance of adornment. They speak to me more of service.

    I don’t really like either the alb or cassock and surplice for servers at the Mass. However I could see a garment like this being worn over the alb. The Orthodox have server’s garments that are much like the dalmatics and tunics of old. They are too ornamental for my taste. However a sleeveless garment like this could add the notion of service on top our basic baptismal garment while avoiding traditional clerical garments, and ornamentation.

  3. The sleeveless surplice that you notice is in iconography all around the Abbey. So it has long been the attire of the escolans there.

  4. For a truly spectacular video of the mountain and sanctuary, check out this link (done with drones — finally a good use for them): http://www.youtube.com/watch?v=pLduGcjdIaY

    The music in the background is the choir and assembly singing the daily-sung Montserrat virolai, “Rosa d’abril”: http://ca.wikipedia.org/wiki/Virolai

  5. Christopher Douglas

    Did Fr. Anthony, of Saint John’s Abbey, ask about a girls’s choir? He noted that there was a 900 year TRADITION against girls at Canterbury. Should the same question be asked in the South? Maybe he didn’t include the same full questions. Somehow, the northern Europeans aren’t as guilty as those in the South.

    Or do they have a pass because they aren”t Nothern?

    1. Anthony Ruff, OSB Avatar
      Anthony Ruff, OSB

      @Christopher Douglas – comment #5:
      Christopher, calm down.
      I didn’t do the post on Canterbury, my assistant did. The interview with Br. Sergi was conducted long before the Canterbury story and at that time I wasn’t really thinking about girls’ choirs. No story here, just overreach from you.
      awr

  6. Thank you for the comments. In our country, I’d say that children choirs are mostly integrated by girls. Some of them have some boys. And there are just a few boys choirs.

  7. Thomas Keesecker

    March 16 is on my calendar now. Thanks. Plenty of seats left at the Strathmore, but seats for the Michael Bolton concert two weeks before are selling quickly.

  8. Ann Olivier

    I’ve read that the boys live at the Abbey five days a week. That wouldn’t be very practical for girls.

    Are there choirs of girls associated with convents?

  9. Ann, I know one with boys and girls in Majorca (Balearic Islands). They sing at Lluc Sanctuary.
    In our choir, the boarding is optional. It means that they can go home every day if they want (and if they live a bit near, of course).

  10. Ann Olivier

    Serai d’Assis —

    Lucky kids! Given how much the young love to make music these days, it seems to me that the Church is missing a great opportunity to involve them in the liturgy.

    I attended a school which had a gifted young nun-musician on the faculty, and the school would also sometimes hire a particularly fine musician-priest from the seminary to lead us students in singing some of the greatest old music. Between the two of them they managed to have us singing chant and enjoying it. The most exquisite music I’ve ever heard in my whole life was a Palestrina Mass sung at a Mass being said by our visiting Archbishop in our tiny chapel. The ;most astonishing thing was that the priest-musician had trained 5th grade grammar school girls to sing Palestrina. Heavenly!

    My point is that kids do respond to the great old music if they’re given the opportunity to make it themselves, and they can do some extraordinary stuff.

  11. A visit to Montserrat in 1994 changed my life. It was a thrill to return in 2007 with my husband – although it was so crowded we could barely fit into the church for mass! Quite the contrast from my initial journey, when I did get to hear the choir. Quite spectacular.

    Thank you for this, I loved the interview and I am reminded of a place that is very special to me.

  12. Fran, thank you. I’ll remember you in my prayers.

  13. My students at St. Catherine of Siena School and Parish in Cedar Grove, NJ just had the amazing experience of collaborating with Escolania de Monserrat on their first concert during the U.S. tour last week. In a formal concert, We sang for them and they sang for us. I can personally attest that the staff, musicians, and students of the school are nothing but top notch and wonderful. It is a truly first class organization and rooted in our faith. While there was a language barrier our two catholic schools spoke the universal language of music and it was absolutely beautiful. To end the concert we both sang the boychoir arrangement of Let There Be Peace On Earth. It was the new evanglization at its best and I guess it was because I didn’t try to plan it that way. God did it!

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